VASSILIS TSABROPOULOS ACHIRANA FREE DOWNLOAD

Streams Videos All Posts. AllMusic relies heavily on JavaScript. Rainy Day Relaxation Road Trip. Introspection Late Night Partying. The small cluster of chords and notes that precede Andersen 's melody are so fully present they are almost invisible. Achirana introduces a special trio formed by bassist Arild Andersen with pianist Vassilis Tsabropoulos and drummer John Marshall. In this respect, Edward Bulwer-Lytton only got it half right when he said that the pen is mightier than the sword, for what the pen leaves behind is mightier than both, as is the page, without which those markings might never reach us.

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Elsewhere, on Tsabropoulos ' "Mystic" a melody rife with major sevenths is liltingly played over counterpoint rhythm from Marshall.

Streams Videos All Posts. He allows the music to breathe with such deference to the act of bringing it to life that he feels more like a ghost as the set progresses.

Notify me of new comments via email. This piano trio has its roots in the elegant pianistic mysticism of Bill Evans and the exploratory restlessness of Paul Bley in similar setting, but the compositional and improvisational warmth of this trio writes its own name.

Leave a Reply Cancel reply Enter your comment here That said, by the end he leaves us with a little too much to process. Jazz Latin New Age. Drinking Hanging Out In Love. Although the prodigious Tsabropoulos anchors equal footing in classical performance and composition, his improvising, notes Andersen, has full independence.

Tsabropoulos/Andersen/Marshall: Achirana (ECM 1728)

Yes, it is jazz of a high caliber for all of its invention and restraint. Stream or buy on: Sexy Trippy All Moods. As spontaneous compositions, the title track that opens the album and "Diamond Cut Diamond" are excellent examples in how to build harmonic tension tsaabropoulos and gracefully while altering and stretching notions of time, rhythm, and durational space.

Another notable moment on an album full of them is "She's Gone" by Andersenadapted from a Norwegian folk song. You are commenting using your Twitter account. Notify me of new posts via email. The Spell Vassilis Tsabropoulos.

She's Gone Arild Andersen.

You are commenting using your WordPress. The small cluster of chords and notes that precede Andersen 's melody are so fully present they are almost invisible. Nevertheless, one wants to feel something embraceable, and sometimes Tsabropoulos plays a little too smokily. Song for Phyllis Vassilis Tsabropoulos.

A wistful thought, a tangle of hair about the nape, a ribbon loosed and windblown: Click to share on Twitter Opens in new window Click to share on Facebook Opens in new window Click to email this to a friend Opens in new window Click to share on Pinterest Opens in new window Click to share on Reddit Opens in new window.

Its rounded panache and ability to graft on to its surroundings while also maintaining an inherent melodic drive make this, his ECM debut, a thoughtful entry. You are commenting tsabropou,os your Google account. As Tsabropoulos opens his chromatic axhirana a bit, inserting trills in the upper register of the piano, Andersen is free to take the melody toward another signpost, one that is familiar but unidentifiable, ghostly and spacious yet ever present to the slightest nuance in mode or interval; it's truly beautiful in the same way Bill Evans ' final Paris recordings were: AllMusic relies heavily on JavaScript.

Achirana - Vassilis Tsabropoulos | Songs, Reviews, Credits | AllMusic

Achirana introduces a special trio formed by bassist Arild Andersen with pianist Vassilis Tsabropoulos and drummer John Marshall. His heavy quavers are like giant arrows in the darkness, each shafted by a fallen tree and feathered by itinerant dreams, leaving their spores behind to sprout, fly, and strike their targets truly. Please enable JavaScript in your browser tsabrkpoulos use the site fully. This is not necessarily a drawback, but it may help you decide whether or not Achirana is for you.

You are commenting using your Facebook tsabropojlos. It's communication via a gatekeeper, and what is transmitted is an altered reality in the form of another music on the way out than there was coming in. As Tsabropoulos ' debut, this is without doubt an auspicious beginning.

When he does enter, he becomes the voice of counterpoint and Marshall free-floats polyrhythms over the piano's languid arpeggios, ever so hsabropoulos swinging.